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Art

Matrices porteuses – Surrogacies

DIAPHANES Magazine No. 11

This issue explores practices of human and non-human substitution.

What claims the place of the nuclear family in the face of hybrid kinships and social freezing? What could new elective kinships be in times of chatbots and pseudonymisation? Is this the time for surrogate mother tongues and extra-human rhetorics of surrogation? Sophie Lewis claims a gestational communism and hunts our grannies. Barbara Vinken reflects on spiritual motherhood, Luciana Parisi on human automata and gendered proxies. For Zuzana Cela, language is a foreign body that can be invaginated. Werner Hamacher strolls...

mother figure
motherhood
body
contemporary art
gender

Current Texts

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them. ABO DE FR

Eric Baudelaire

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game. OPEN
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Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
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Michele Pedrazzi

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza? OPEN
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Current Texts

»This is not my blood.«

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west?

OPEN
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human–animal communication
identity
Video art
performance art

Current Texts

Dan-el Padilla Peralta

Capitalism sucks. Tag everything.

it seemed like we’d just been in some horrible dream

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Magazine Online

News + Events

ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

THINK ART? THINK ART!

Anthology

Zu einer Poetik des Seriellen

Zugleich Gegenstand und Verfahren, setzt das serielle Denken, wie es sich in diesem Band abzeichnet, mithin eine Reihe von sonst...

Elisabeth Bronfen (ed.), Christiane Frey (ed.), David Martyn (ed.)

Noch einmal anders

Anthology

Zur Kritik der Wirksamkeit in den Künsten

In den heutigen Praxistheorien spielen Dinge und ihre Materialität eine prominente Rolle. Dinge gelten als ausgesprochen wirkmächtig, insofern sie als...

Kathrin Busch (ed.), Burkhard Meltzer (ed.), Tido von Oppeln (ed.)

Ausstellen

Monograph

Around a sculpture by Alberto Giacometti

Does this buried or lost face have a name?

Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)

The Cube and the Face

Monograph

Studien zur Bildlichkeit des Films

Filmbetrachtung hat es zunächst mit materiellen Sichtbarkeiten zu tun, mit Bildern, die dem Blick gegeben sind, bevor sie zu erzählen...

Fabienne Liptay

Telling Images

Topics

The Subject of Capitalism
- capitalism
- subjectification
- cognitive capital
- migration
Color and meaning
Who is afraid of Red, Yellow, Blue…?
- monochrome
- image and imagery
- chromatics / colour science
- semiotics and semiology
- color
Observing the Spectator
- mirror
- optical illusion
- observer
- gaze
Autofiction—Metafiction
- fiction
- Theory of fiction
- memory
- autofiction
- autobiography

Current Texts

Clémentine Deliss

A coffin to bury the statues of the ancestors

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo…

OPEN
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sculpture
contemporary art
colonialism
Africa
colonial history
museum

Current Texts

Slavs and Tatars

Why the Backwards Smile?

To what extent can a revolution of the inner world impact the external, material world surrounding us?

OPEN
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Current Texts

Ornamentation is the body of our thought

Elena Vogman

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world. OPEN
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Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

When life’s hard, time’s a motherfucker going slow

Soham Gupta

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways. ABO DE FR

Malte Fabian Rauch

What Reena really wanted to know was why – in a night club, for example – do we chose, always and above all, that nothing happens?” ABO

Books

Sebastián Eduardo Dávila (ed.), Rebecca Hanna John (ed.), ...: On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices

Wiktoria Furrer, Carla Gabrí, ...: How to Teach Art?

Donatien Grau (ed.), Christoph Wiesner (ed.): After the Crisis

Wolfgang Brückle (ed.), Fred Truniger (ed.): Display, Distribute, Disrupt

Liliana Gómez (ed.): Performing Human Rights

Jiji-Crycry

Antonin Artaud, Stephen Barber (ed.)

“Here Lies” preceded by “The Indian Culture”

Me, Antonin Artaud, I am my son, my father, my mother, and me.

The two poetic works collected together here as Here Lies preceded by Indian Culture were created as a partly improvised vocal performance dictated during one session on 25 November 1946, based on provisional notes, and transcribed by Artaud’s collaborator Paule Thévenin at Artaud’s pavilion in Ivry-sur-Seine. The two works together form one of the outstanding experiments of Artaud’s final period. Those two works were published in one volume in Paris on 20 January 1948 by the small poetry publisher K...